Diagnosed with a mental illness halfway through his senior year of high school, a witty, introspective teen struggles to keep it a secret while falling in love with a brilliant classmate who inspires him to open his heart and not be defined by his condition.

From 2019 to 2022, director Sarah Vos followed Rein Wolfs, the new director of the Stedelijk in Amsterdam, and his team as they attempt to resolve the lack of gender diversity of the museum, in which 90% of the works of art of the vast collection had been made by white men. To correct this imbalance, the museum allocated 50% of its budget to buy works by non-Western artists and diversified its hiring practices. The film documents meetings in which issues such as racial, ethnic and gender representation are addressed, as well as the adoption of appropriate language: should “sex worker” replace “prostitute” in certain titles? They conduct research in the archives of art by women artists, often not even catalogued, and work to rearrange the collection along a new thematic path to contextualize the cultural, historical and religious circumstances in which the works ware created. White Balls on Walls shows the successes and failures of this difficult process. We thank Pordenone Docs Fest for their collaboration. 　　源自：https://www.schermodellarte.org/en/film/white-balls-on-walls/

A glimpse into various people's ever-changing relationships over the course of a day

In order to learn about his past, a Beijing man known as Dong-dong, who was born in a toilet, searches in the public toilets around the world.

A comedy directed by Rolf Silber.

A young runaway rejects society's condemnation and dares to fulfill his dreams. France, 1930s. 14-year-old orphan Yves Tréguier sees the world through the bars of "educational homes" where he is raised in conditions worthy of a penal colony, and dreams of a dramatic escape across the ocean to New York.

In a Singapore children's home, girls navigate friendship, hope, and identity, illuminating unseen stories in a poignant exploration of resilience.

A young couple is terrorized by the former owner of the home they now occupy. Instead of a honeymoon, life becomes a cat and mouse game for these newlyweds as they try to survive being hunted by a man who knows every inch of the residence better than they do; and who has nothing left to lose.

Not everything is at it seems, when 8-year old Lucy's imagination proves to be a reality. Based on the work by Neil Gaiman and Dave McKean, Wolves in the Walls transports you into the magic of virtual reality cinema, where only you can help Lucy discover what's truly hiding inside the walls of her house. Conceptualized by the Emmy-Award winning team that brought you Henry, and choreographed by New York's critically acclaimed immersive theater company, Third Rail, this immersive-fable asks; what would it be like to interact, have a relationship, and go on a quest with a character inside a virtual reality movie?

As Australia is experiencing a widening divide between those housed and unhoused, communities either side of the wafer thin line of homelessness are left with looming questions. How do those experiencing homelessness and complex hardship reclaim their own humanity on their own terms, and how can we bridge the class divide and coexist meaningfully? Through the deeply vulnerable and contagious stories of a group of residents living in a Melbourne social housing community, Love in the Walls ask if this uncomfortable bridge between two ends of society can be crossed, and if so, what does it look like for our lives to be intimately meshed together?